In a move signalling the evolving intersection of art and technology, Christie’s has announced that its standalone digital art department will be folded into the broader 20th and 21st-century art category. The change comes amid a global downturn in art sales, and follows staff cuts that included the vice-president of digital art. While NFTs (non-fungible tokens) will remain on sale, the department’s closure has sparked debate about the future of digital art and wider implications for crypto recruitment and web3 recruitment pipelines.
Founded in 1766, Christie’s was among the first traditional auction houses to embrace blockchain-based art sales. In March 2021 it facilitated the landmark sale of Mike “Beeple” Winkelmann’s Everydays: The First 5000 Days for $69.3 million. Later launches included an NFT auction platform in September 2022 and a dedicated crypto-only real estate team in July 2023.
Yet, as market conditions shifted, a spokesperson for Christie’s described the decision as a “strategic move” to integrate digital art into its flagship 20th and 21st-century category. At least one digital art specialist remains on staff, but the department’s closure saw two people lose their roles, including the vice-president of digital art.
Data from the Art Basel & UBS Art Market Report 2025 shows global sales fell 12 percent in 2024 to $57 billion, while auction house revenues dropped 20 percent to $23 billion. Digital art adviser Fanny Lakoubay pointed to these figures on X (formerly Twitter) as a likely driver for Christie’s decision. “Auction houses can’t justify a whole department when it brings in less revenue,” she noted, adding that secondary sales still favour established artists and brands over emerging digital creators.
Her prescription? Focus on primary market development and introduce traditional collectors to new digital names. That approach may require a fresh wave of talent—digital curators, NFT strategists and blockchain recruitment experts capable of bridging old-school art networks with web3 communities.
Not everyone sees the department’s closure as a bearish signal for digital art. NFT collector Benji, a member of the Doomed DAO, argues that the business model—charging 25–30 percent commission on NFTs that carry no shipping or storage costs—was “flawed and unsustainable.” He suggests Christie’s may be having a “Kodak moment,” retreating from a model that doesn’t add value compared to zero-commission platforms like Gondi.
“One less value extractor means more value for collectors and artists alike,” he wrote. If Christie’s pivot is indeed a shake-up rather than an exit, opportunities could arise for agile web3 recruiters, crypto headhunters and blockchain recruiters to support emerging platforms and digital-first galleries.
The NFT sector endured a challenging 2024, with trading volume and sales hitting multi-year lows. Yet 2025 has shown signs of recovery:
Despite recent cooling, these metrics underline the need for seasoned talent to navigate volatility in defi recruitment, digital art advisory and NFT operations.
Christie’s reshuffle shines a spotlight on the skills required to sustain digital art platforms and NFT marketplaces. As auction houses recalibrate, hiring trends will likely evolve:
As traditional players reassess, blockchain recruitment agencys like Spectrum Search are poised to advise collectors and institutions on identifying talent adept at both art history and smart-contract deployment.
For digital artists and technologists, the consolidation of Christie’s digital arm may signal a shift towards decentralised sales channels. This could accentuate the role of web3 recruitment agencys in sourcing builders for peer-to-peer marketplaces, royalty-tracking infrastructure and immersive virtual galleries.
The talent pool will need to include:
Those skill sets are vital to projects like decentralised exchange growth and the blockchain skills gap highlighted in recent market analyses.
Though Christie’s digital department may be gone, its spirit endures in the broader market: an ecosystem seeking to marry high-value auctions with the agility of blockchain. For crypto recruitment agencys and web3 recruitment firms, the challenge is clear:
These capabilities will prove critical as “digital art” evolves beyond NFTs into dynamic, fractionalised formats and hybrid physical-digital exhibitions. Agencies recruiting for blockchain galleries, tokenised real estate and immersive experiences will be at the forefront.
Market observers should watch for:
Those trends will not only shape the art market but also dictate demand for crypto headhunters, web3 recruiters and specialists in web3 talent acquisition. As organisations seek to navigate mergers of digital and physical art, the right hires will deliver technical resilience, creative vision and market insight.